ANIMUSIC

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CONGRESS SESSIONS

 

2/10/2020

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Museu Francisco Tavares Proença Júnior, Castelo Branco

10:00h  Registo e informação | Registration and information

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Sessão I | Session 1

Coordenação | Chair: Carlos Semedo

10:30h  Boas-vindas e informação| Welcome to participants and general information

10:45h  Baroque dances for the Dukes Farnese: The Balletti Correnti Gighe & Sarrabande per Camera (1669) by Frà Elzeario Pizzoni O. F. M.: a specimen of a conjectural reconstruction realized in our day of 75% of a lost dance instrumental collection

Mario Genesi (Italia)

11:15h  Visit to the Museu Francisco Tavares Proença Júnior

12:00h  pausa para café | coffee break

12:20h  [lecture-demonstration]  On ‘animated tones’: akouphenomena in service of Music, with a focus on the dying art of the Indian tanpura tuning and maintenance

Martin Spaink (Holland)

 

13:00h  almoço | lunch

 

Sessão II | Session 2

Coordenação | Chair: Giulio Salvadori

14:30h  Visual encounters with sound

Patrícia Lopes Bastos (Portugal)

15:00h The cauldron. Origins and cultural reproduction in the region of La Vera (Extremadura, Spain)

Martín Gómez-Ullate (España) & Pilar Barrios Manzano (España)

15:30h  [lecture-recital]  Alberto Gomes da Silva harpsichord Sonatas: The distinctive voice of the

mixed style in portuguese keyboard repertoires

João Paulo Janeiro (Portugal), harpsichord

16:10h  pausa para café | coffee break

 

Sessão III | Session 3

Coordenação | Chair: Patrícia Lopes Bastos

16:30h  [study roundtable]  Encounters: organological terminology

18:00h  [recital]  Finding past music pearls

Mario Genesi (Italia), piano

 

19:30h  Jantar-banquete | Dinner-banquet

 

 

3/10/2020

 

ANIMUSIC headquarters, S. Vicente da Beira

 

Sessão IV | Session 4

9:00h  Instrumental Techniques’ Interchange. On Processes of Importing and Exporting Techniques in the Composition and Performance of Contemporary Music

Agustín Castilla-Ávila (España/Austria)

9:30h  The arts in confinement

Antonia Soulez (France)

10:00h  [online in loco visualization] The documentation and reconstruction of the instruments of Alfonso X: a unique collection

Jota Martínez (España)

10:40h  pausa para café | coffee break

 

Sessão V | Session 5

11:00h  Perceptual comparison of the pleasantness of low-register instruments

Noam Amir (Israel) & Ofer Dana (Israel) & Dana Gertz (Israel)

11:30h  Music notation for the Bohlen-Pierce instruments

Christian Klinkenberg (Belgium)

12:00h  [recital]  trans-Art impromptu

Astrid Rieder (Austria) & Norbert Sprave (Austria)

 

13:00h  almoço | lunch

 

Sessão VI | Session 6

14:00h  Application of microtonality by Lithuanian composers from 1970s to the recent decades: a response to microtonal movement in contemporary music

Rima Povilioniene (Lithuania)

14:30h  Human Voice or ‘Bleating of a Nannygoat’? Authentic construction peculiarities of Vox humana from Lithuanian baroque organs

Girėnas Povilionis (Lithuania)

15:00h  [lecture-ex]  The flageolet and recorder in late seventeenth-century England

Douglas MacMillan (UK) & Isobel Clarke (UK)

 

15:40h  pausa para café | coffee break

 

Sessão VII | Session 7

16:00h  Sound: perception, conception and value in the Pre-Hispanic Andes

Carlos Mansilla Vásquez (Peru)

16:30h  Musical practices, oral traditions and "instruments for practice" among indigenous cultures in Latin America: a brief approach to a huge universe

Edgardo Civallero (Columbia)

17:00h  [lecture-recital]  The ‘flauta rociera’ (Andalusian tabor and pipe): constructive characteristics and

their influence in modality and tonality

Antonio Temprano (España)

17:40h  pausa para café | coffee break

 

Sessão VIII | Session 8

18:00h  [lecture-with video-recorded examples] Invitation to a unique musical journey through the Persian land (showing the various styles of Iranian music)

Mathieu Clavel (France)

19:00  [lecture-demonstration] Musical instruments as a showcase of cultural heritage interchange

Pilar Barrios Manzano (España) & Grupo de Investigación "Patrimonio musical, cultura y educación"

("Musical Heritage, Culture and Education" Research Group), Teacher Training College, University of Extremadura, Spain

 

 

4/10/2020

 

ANIMUSIC headquarters, S. Vicente da Beira

 

Sessão IX | Session 9

09:30h  Musical instruments from magical practices of pre-Christian origin of winter customs in Romania

Ovidiu Papana (Romania)

10:00h  Material and geometric properties of Cymbals

Malte Münster ( Deutschland)

10:30h  Soundscapes in the rural and urban environment: the role of bells in human lives

Helena Santana (Portugal) & Rosário Santana (Portugal)

11:00h  [lecture-recital | Special Homage to Beethoven (1770-1827)]  Miss. Ta. Ken. Beethoven

Zami Ravid (Israel)

 

12:00h almoço | lunch

 

Sessão X | Session 10

 

13:30h  Por entre pancadas, pesadas e crescendos: ouvindo os “excessos” dos bombos em seus múltiplos sentidos

Lucas Wink (Portugal)

14:00h  La virginale d’Henri Van Casteel, maillon manquant de l’histoire des ‘clavicordios’

Pascale Vandervellen (Belgium)

14:30h  [lecture-recital]  ‘Let´s go Super.’ The idea of a Super instrument in the context of contemporary piano repertoire

Hans-Peter Gasselseder (Austria/Denmark) & Maria Kallionpää (Finland/UK)

15:10h  pausa para café | coffee break

 

Sessão XI | Session 11

15:30h  ‘Talking’ trumpets in the African diaspora: the case of Suriname

Stewart Carter (USA)

16:00h  No bones about it: “Making do” and innovating with animal materials in contemporary sitar-making traditions

Aruna Kharod (USA)

16:30h  Reconstructing the pedal steel guitar: creative marginality, technology and

masculinity in musical instrument making

Daniel Neill (Canada)

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17:30h  Beberete | Cocktail

Encerramento do Congresso de Organologia 2020 | Closing of the Organological Congress 2020

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