PROGRAM|A
v. 18/07/2023
21/07/2023
Museu da Ciência, Universidade de Coimbra
10:00h Guided visit to the Museum of Science of the University of Coimbra (special: acoustic and anthropological collections) | Visita guiada ao Museu da Ciência da Universidade de Coimbra (especial: colecções de instrumentos acústicos e antropologia)
Mosteiro de Santa Clara-a-Velha
12:00h Registration| Inscrição
12:20h Smart lunch | Almoço ligeiro
12:55h Welcome to participants and general information | Boas-vindas e informação
Session 1 | Sessão I
Chair | Coordenação: Eduardo Loio
13:00h ANIMUSIC – evolution towards new and encompassing horizons
Patrícia Lopes Bastos (Portugal)
13:20h Soundboard convexity: why it matters
Jean Louchet (France)
14:00h [lecture-demonstration] The single-reed aerophone musical instruments – their primitive relatives
Ovidiu Papana (Romania)
14:30h Coffee break | Pausa para café
Session 2 | Sessão II
Online
15:00h [lecture-demonstration] Art as a cultural phenomenon in the spiritual identity of man
Max Stern (Israel)
15:40h [lecture-demonstration] Interspecies interaction in sound art through dialogue
Annie Morrad (UK)
16:20h [lecture-recital] Ferdinand Ries’ Fantasy in A-flat Major on Schiller’s poem “Resignation” (1821)
Michael Tsalka (Israel/China, Mexico)
17:00h [lecture-recital] Musical instruments and their influence in the compositional styles (traditional and modern creations)
José Lezcano (Cuba/USA)
17:40h [book presentation] How many strings to make a guitar | Com quantas cordas se faz uma guitarra
Jorge Carvalho (Portugal)
18:00h [concert] Centenary inspiration
Da Viola à Toeira
Felipe Barão (Brasil/Portugal)
Serenade to Mondego
Guitarrinhos do Mondego (Portugal)
22/07/2023
Convento São Francisco
Session 3 | Sessão III
Online
09:00h Brief considerations on the exhibition of musical instruments as functional objects in a museological context
Cláudia Furtado (Portugal)
09:20h Comparative study of the manufacturing of the ‘dotâr’, long-necked lute from Iran and central Asia
Farrokh Vahabzadeh (Iran/France)
09:40h Maracatu’s ‘alfaia’: a percussion sign of diaspora and transnational culture
Luiz Ribeiro Fonseca (Brasil)
10:00h [group lecture-recital] Cross-cultural instrumentation
Integrative-synthesis in ‘Oumuamua for Kanun and String Quartet’
Dimitri Papageorgiou (Greece)
Tinnitus of tradition within a contemporary context – ‘EMVOES for kanun, lyre and stereo electronics’
Vasiliki Legaki (Greece)
The benefits of cross-cultural music/instrumentation projects: a brief review of
‘Gereh II for oud and fixed media’
Arshia Samsaminia (Greece)
11:00h Coffee break | Pausa para café
Session 4 | Sessão IV
Chair | Coordenação: Diane Thram
11:20h The stone and the man: when sound rebounds from ancestral traditions
Helena Santana (Portugal) & Rosário Santana (Portugal)
11:40h Associação Xarabanda: forty years looking for a dream
Jorge Torres (Portugal) & Rui Camacho (Portugal)
12:00h A guitar on the move: the probable origin of the two hearts guitar in Cape Verde
Eduardo Loio (Portugal) & Nuno Cristo (Portugal/Canada)
12:30h Smart lunch | Almoço ligeiro
Session 5 | Sessão V
Chair | Coordenação: Jean Louchet
13:00h Eva Ybarra’s “curious” accordion in the hypermasculine world of Tex-Mex Conjunto music
Cathy Ragland (USA)
13:30h The alteration of construction elements in the rehabilitation of concert halls: the case study of the auditorium of the National Conservatory's School of Music
Francisco Santiago (Portugal) & Filipe Martins (Portugal) & Octávio Inácio (Portugal)
14:00h Cognition of intonation: from the objectified properties of sound to the construction of artistic
consciousness - the TemperApp project
Elisa Barbessi (Italia/France)
14:30h Coffee break | Pausa para café
Session 6 | Sessão VI
Chair | Coordenação: Helena Santana
15:00 The Classical Orchestra of the Centre of Portugal: incentives to research and creativity
Emília Cabral Martins (Portugal)
15:15h [lecture-recital] Looking back – Stepping forward | Creation through the spectrum of tradition
[conjoint with the Orquestra Clássica do Centro]
Dimitris Andrikopoulos (Greece/Portugal) & Ângela da Ponte (Portugal) & Miguel Amaral (Portugal)
16:00h [open panel] Old for new - traditional and folk instruments in modern composition
17:30h Coffee break
18:00h [concert] Summer evening – Entardecer estivo
Toni James (UK), piano solo
19:30h Dinner by the river Mondego, with the sun setting | Jantar ao som do rio Mondego, ao pôr-do-sol
Pavilhão do Centro de Portugal
21:00h [concert] Crossing musical frontiers
Graham Hair (Australia/UK), composer and director & Scottish Voices (Scotland, UK) & Nick Bailey (UK), electronics
23/07/2023
Seminário Maior, Salão S. Tomás
09:00h Welcome – with an introduction to the historic Seminário Maior | Boas-vindas e introdução ao histórico Seminário Maior
Sr. Padre Nuno dos Santos, Reitor do Seminário Maior
Session 7 | Sessão VII
Online
09:20h [lecture-demonstration] Opposition in unambiguous feedback: violinist and pianist’s analysis ideas have their own professional imprints in the creation and performance of Brahms Violin Concerto Op. 77
Siyao Chen (China) & Xuefeng Zhou (China)
09:50h Let’s talk about the Cochlear Implant and its impact on our understanding of sound
David Friedrich (Australia)
10:10h ‘The West in the Eyes, The East in the Ears’ at one meeting point
Gisa Jähnichen (Deutschland)
10:30h Coffee break | Pausa para café
Session 8 | Sessão VIII
Chair | Coordenação: Gilberto Pereira
10:50h [lecture-demonstration] Making music through the "end times": cultivating the classical tradition in the age of the "War on Everything"
Graham Hair (Australia/UK) & Margaret McAllister (USA) & Nick Bailey (UK)
11:30h Musical instruments and palimpsestic memory
Stephen Cottrell (UK)
11:50h The Iberian organs of the Igreja da Sagrada Família at the Seminário Maior and the Capela de S. Miguel at the University of Coimbra – an introduction
Paulo Bernardino (Portugal)
12:15h [concert] Portuguese and Italian repertoire of the early 18th-century
Mario Genesi (Italia), organ
13:00h Smart lunch | Almoço ligeiro
Session 9 | Sessão IX
Chair | Coordenação: Paulo Bernardino
13:50h [lecture-demonstration with performance] Piano inside-out: avant-garde piano sonorities, techniques, and repertoire, and the new expressive, sonorous, and performance elements they introduce
Mira Kruja (USA)
14:30h A Venetian “cahier” of Versets and Sonatas ascribable to Francesco Gasparini (1661-1727) in the Biblioteca Marciana: hypotheses about its origin, destination and use within the Pio Ospedale della Pietà in Venice
Mario Genesi (Italia)
14:50h [lecture-demonstration] “Tell me, Viola!” - The viola ‘toeira’ as an instrument-archive
Felipe Barão (Brasil/Portugal)
15:10h Koenig: a arte de construir instrumentos acústicos
Catarina Pires (Portugal) & Gilberto Pereira (Portugal)
15:30h Coffee break | Pausa para café
Session 10 | Sessão X
Chair | Coordenação: Patrícia Bastos
15:50h Viola, cavaquinho, machete: Portuguese guitars in the Americas
Thomas Garcia (Brasil/USA)
16:20h Decolonize and revive: conditions for accessibility and reuse
Diane Thram (USA/South Africa)
16:40h [[lecture-demonstration] Self-reflective experimental ethnomusicology
Eduardo Loio (Portugal)
17:00h Visit of the Iberian organ at the Chapel of S. Miguel, University of Coimbra, with Paulo Bernardino (Master organist of the Chapel) | Visita ao órgão da Capela de S. Miguel, na Universidade de Coimbra, com o Mestre organista Paulo Bernardino
Capela S. Miguel, Universidade de Coimbra
18:00h [concert] Ancient music tiles
Jean Louchet (France) & Paulo Bernardino (Portugal)
19:00h Visit to the Music Museum of Coimbra | Visita ao Museu da Música de Coimbra
Colégio da Graça*
19:30h [concert] Coimbra music of the 19th-century
Toeira Trupe (Portugal)
20:00h Banquet dinner, with candlelight, at the cloisters | Banquete nos claustros, à luz das velas
*Colégio da Graça: where one of the oldest universities in the world was born, Universidade de Coimbra.
24/07/2023
Conservatório Regional de Coimbra
Session 11 | Sessão XI
Online
09:30h The relationship between colours and music in research for psycho-physical well-being
Francesca Settipani (Italia)
09:50h Revival of the ancient ‘gusli’ in Veliky Novgorod. In memory of musicologist and restorer Vladimir Ivanovich Povetkin (1943-2010)
Angelina Alpatova (Russia) & Vladimir Lisovoi (Russia)
10:10h Multimodal digitization and virtualization strategies for musical instruments using the example of pipe organs
Dominik Ukolov (Deutschland)
10:30h [lecture-demonstration] Suite of Movements: Motion and Emotion
Agustín Castilla-Ávila (España/Austria)
11:00h Coffee break | Pausa para café
Session 12 | Sessão XII
Online
11:30h Proportions of the depicted portative organs in relation to bodily proportions of the medieval musicians
Jurij Dobravec (Slovenija)
11:50h On how to make the reeds, after Etienne Ozi's (1754-1813) ‘Nouvelle Methode de Basson'
Kaori Yokoyama (Japan/France)
12:10h Simplifying the understanding and composition of microtones with microtonal planes
Luke Anthony Villavicencio (USA)
12:30h The War Trumpet myth: the agonistic salpinx/tuba in the Graeco-Roman games
Peter Holmes (UK)
Conservatório Regional de Coimbra
14:30h [creativity workshop] Sounding by making or making by sounding…
Eduardo Loio & Patrícia Lopes Bastos